The musician and the devil in the enchanted castle, 1920
The Walpurgisnacht Portfolio (one of six etchings after Gustav Meyrinks) 1922
The Walpurgisnacht Portfolio (two of six etchings after Gustav Meyrinks) 1922
The Walpurgisnacht Portfolio (three of six etchings after Gustav Meyrinks) 1922
The Walpurgisnacht Portfolio (four of six etchings after Gustav Meyrinks) 1922
The Walpurgisnacht Portfolio (five of six etchings after Gustav Meyrinks) 1922
The Walpurgisnacht Portfolio (six of six etchings after Gustav Meyrinks) 1922
Illustration for Hanns Heinz Ewers's "Die Herzen der Könige," 1922
Illustration for Hanns Heinz Ewers's "Die Herzen der Könige," 1922
Illustration for Hanns Heinz Ewers's "Die Herzen der Könige," 1922
Illustration for Hanns Heinz Ewers's "Die Herzen der Könige," 1922
Illustration for Hanns Heinz Ewers's "Die Herzen der Könige," 1922
Illustration for Hanns Heinz Ewers's "Die Herzen der Könige," 1922
The Plague of Pestilence Portfolio (one of seven etchings) 1920
The Plague of Pestilence Portfolio (two of seven etchings) 1920
The Plague of Pestilence Portfolio (three of seven etchings) 1920
The Plague of Pestilence Portfolio (four of seven etchings) 1920
The Plague of Pestilence Portfolio (five of seven etchings) 1920
The Plague of Pestilence Portfolio (six of seven etchings) 1920
The Plague of Pestilence Portfolio (seven of seven etchings) 1920"A member of the Vienna school of Fantastic Art, Stefan Eggeler (1894-1969) is best known as a printmaker, publishing portfolios and creating book illustrations from about the start of WWI through the 30s, his work output declining with the rise of Fascism. His diminutive etchings, often issued in series, show inspiration from James Ensor and Egon Schiele among others. "
The quotation and most artworks found at Chris Mullen's website, The Visual Telling of Stories.
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