Sunday, May 24, 2009
Benjamin West - Death on the Pale Horse, 1796
Tuesday, May 19, 2009
Sunday, May 17, 2009
Monday, May 04, 2009
Friday, April 10, 2009
Walt Kelly Illustrations, 1935-36
Quotes and imagery taken from the Heritage Auction Gallery website. Sorry, you have to have an account (free) to view full sized images on there. It is worth signing up though, if only to browse the vast and high res images they have in their archive. I found all of the previously posted movie posters on there by the way.
Tuesday, April 07, 2009
More Matt Furie Madness
Someone needs to tell Cartoon Network to give Matt his own animated show!
Thursday, March 26, 2009
From The Folger Shakespeare Library
Printed by Miles Felsher, for Jacob Tonson - John Milton's "Paradise Lost" 1688.
Jacob Tonson - The Tempest, act 1, scene 1, (engraving) 1709.
Created by Francoys Fils Of France And brother Unicquue Of Roy, 1582. (This is based on a rough translation in French through Babelfish so could be wrong.)
J Smart - St George and Dragon? 1822
Pamela Coleman Smith - Caliban, 1900
Thomas, b. Trevilian - Commonplace Book, 1608
Thomas, b. Trevilian - Commonplace Book, 1608
Vincenzo Cartari - "Le imagini de i dei de gli antichi.." (Valgrisi's serpent device, 1571) The engravings are by Bolognino Zaltieri
Claude-Francois Menestrier - L'Art des emblemes... (page 264, detail of hydra) 1684.
Edward Topsell - The historie of serpents, or, The second booke of living creatures... (page 201, detail of hydra) 1608. "The historie of serpents. Or, The second booke of liuing creatures: wherein is contained their diuine, naturall, and morall descriptions, with their liuely figures, names, conditions, kindes and natures of all venemous beasts: with their seuerall poysons and antidotes; their deepe hatred to mankind, and the wonderfull worke of God in their creation, and destruction. Necessary and profitable to all sortes of men: collected out of diuine Scriptures, fathers, phylosophers, physitians, and poets: amplified with sundry accidentall histories, hierogliphicks, epigrams, emblems, and ænigmaticall obseruations. "
Edward May - illustration of "The Heart Worm"
"Most certaine and true relation of a strange monster or serpent found in the left ventricle of the heart of John Pennant, Gentleman, of the age of 21 years." Woodcut, printed by George Miller in 1639.
All artworks found in the Folger Shakespeare Library, as suggested to me by Peacay of BibliOdyssey. Thanks Paul!
It took me around 3 hours to hunt these images down as I browsed through 10,000 some images to find them. I'll likely be doing another post in the future when I get around to looking through the other 12,000 some images on the site.
Printed by Miles Felsher, for Jacob Tonson - John Milton's "Paradise Lost" 1688.Jacob Tonson - The Tempest, act 1, scene 1, (engraving) 1709.Created by Francoys Fils Of France And brother Unicquue Of Roy, 1582. (This is based on a rough translation in French through Babelfish so could be wrong.)J Smart - St George and Dragon? 1822Pamela Coleman Smith - Caliban, 1900Thomas, b. Trevilian - Commonplace Book, 1608Thomas, b. Trevilian - Commonplace Book, 1608Vincenzo Cartari - "Le imagini de i dei de gli antichi.." (Valgrisi's serpent device, 1571) The engravings are by Bolognino ZaltieriClaude-Francois Menestrier - L'Art des emblemes... (page 264, detail of hydra) 1684.Edward Topsell - The historie of serpents, or, The second booke of living creatures... (page 201, detail of hydra) 1608. "The historie of serpents. Or, The second booke of liuing creatures: wherein is contained their diuine, naturall, and morall descriptions, with their liuely figures, names, conditions, kindes and natures of all venemous beasts: with their seuerall poysons and antidotes; their deepe hatred to mankind, and the wonderfull worke of God in their creation, and destruction. Necessary and profitable to all sortes of men: collected out of diuine Scriptures, fathers, phylosophers, physitians, and poets: amplified with sundry accidentall histories, hierogliphicks, epigrams, emblems, and ænigmaticall obseruations. "Edward May - illustration of "The Heart Worm""Most certaine and true relation of a strange monster or serpent found in the left ventricle of the heart of John Pennant, Gentleman, of the age of 21 years." Woodcut, printed by George Miller in 1639.
All artworks found in the Folger Shakespeare Library, as suggested to me by Peacay of BibliOdyssey. Thanks Paul!
It took me around 3 hours to hunt these images down as I browsed through 10,000 some images to find them. I'll likely be doing another post in the future when I get around to looking through the other 12,000 some images on the site.
Wednesday, March 25, 2009
Tuesday, March 24, 2009
Virginia Frances Sterrett
Illustration from "Arabian Nights" (1928)
Illustration from "Arabian Nights" (1928) More artworks can be found in this gallery.
Illustration from "Tanglewood Tales" (1921)
Illustration from "Tanglewood Tales" (1921)
You can download various versions of the book at Archive.org
Illustration from "Old French Fairy Tales" (1920)
Download the book at Archive.org
"In 1919 at the age of 19, she was given an opportunity to fulfill her lifelong dream. She was commissioned by the Penn Publishing Company to illustrate Old French Fairy Tales by Comtesse de Segur. She completed the pictures – pen and ink drawings and water colors – and received $500 for the work. After receiving the illustrations, the publishers paid her another $250 for several line drawings for the inside of the front and back covers of the book. Another illustration job followed in 1921 with Penn Publishing Company again commissioned her to illustrate an edition of Tanglewood Tales by Nathaniel Hawthorne. The favorite stories from Greek mythology gave Sterrett another opportunity to exercise her talent and love for the imagery of fantasy.
In 1923, the family moved to southern California and settled in Altadena. Soon afterward, Sterrett became active in the local art scene, but her physical condition had become so bad she had to enter a sanatorium. She continued to work, but only for short periods at a time. During this time, she was again commissioned by Penn Publishing Company to illustrate Arabian Nights. Like the other two books she illustrated, Arabian Nights was a large book with large type, simple stories, and designed to be a gift book for children. Sterrett provided 16 illustrations in color, 20 in black and white, a colored picture for the front cover and a drawing for the inside of the covers. This masterpiece took her three years to complete due to her failing health and limited working hours.
The 1928 publishing of Arabian Nights brought a measure of recognition for Sterrett from discriminating art critics, who praised her work and said it had an imaginative conception, grace, and delicacy of execution all its own. Children and adults alike were captivated by her artwork but were unable to name the artist. The world at large still did not know her.
Coupled with her professional success, her health began to improve at the sanatorium, and she was told the disease was arrested. She was able to move into a home with her family and over the next several years (from 1929-1930), she had several local art exhibits at the Little Gallery in Monrovia, California; the Los Angeles County Fair; Painters and Sculptors of Los Angeles, and the California State Fair.
Shortly afterward she undertook another commission from the Penn Publishing Company to illustrate an edition of Myths and Legends. However, the task was never fulfilled. She died on June 8, 1931, after a relapse of tuberculosis. Most of the images for the new book had been completed – if she had been given only a few more months of life, the work would have been finished." - quote source
While putting together this post I noticed that the excellent blog A Journey Round My Skull mentioned Sterrett just last week.
Illustration from "Arabian Nights" (1928)Illustration from "Arabian Nights" (1928) More artworks can be found in this gallery. Illustration from "Tanglewood Tales" (1921) Illustration from "Tanglewood Tales" (1921)You can download various versions of the book at Archive.org
Illustration from "Old French Fairy Tales" (1920)Download the book at Archive.org
"In 1919 at the age of 19, she was given an opportunity to fulfill her lifelong dream. She was commissioned by the Penn Publishing Company to illustrate Old French Fairy Tales by Comtesse de Segur. She completed the pictures – pen and ink drawings and water colors – and received $500 for the work. After receiving the illustrations, the publishers paid her another $250 for several line drawings for the inside of the front and back covers of the book. Another illustration job followed in 1921 with Penn Publishing Company again commissioned her to illustrate an edition of Tanglewood Tales by Nathaniel Hawthorne. The favorite stories from Greek mythology gave Sterrett another opportunity to exercise her talent and love for the imagery of fantasy.
In 1923, the family moved to southern California and settled in Altadena. Soon afterward, Sterrett became active in the local art scene, but her physical condition had become so bad she had to enter a sanatorium. She continued to work, but only for short periods at a time. During this time, she was again commissioned by Penn Publishing Company to illustrate Arabian Nights. Like the other two books she illustrated, Arabian Nights was a large book with large type, simple stories, and designed to be a gift book for children. Sterrett provided 16 illustrations in color, 20 in black and white, a colored picture for the front cover and a drawing for the inside of the covers. This masterpiece took her three years to complete due to her failing health and limited working hours.
The 1928 publishing of Arabian Nights brought a measure of recognition for Sterrett from discriminating art critics, who praised her work and said it had an imaginative conception, grace, and delicacy of execution all its own. Children and adults alike were captivated by her artwork but were unable to name the artist. The world at large still did not know her.
Coupled with her professional success, her health began to improve at the sanatorium, and she was told the disease was arrested. She was able to move into a home with her family and over the next several years (from 1929-1930), she had several local art exhibits at the Little Gallery in Monrovia, California; the Los Angeles County Fair; Painters and Sculptors of Los Angeles, and the California State Fair.
Shortly afterward she undertook another commission from the Penn Publishing Company to illustrate an edition of Myths and Legends. However, the task was never fulfilled. She died on June 8, 1931, after a relapse of tuberculosis. Most of the images for the new book had been completed – if she had been given only a few more months of life, the work would have been finished." - quote source
While putting together this post I noticed that the excellent blog A Journey Round My Skull mentioned Sterrett just last week.
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