Saturday, September 10, 2016
Thursday, September 01, 2016
Sean Äaberg's Dungeon Degenerates Monster Drawing Club










I originally shared Sean's art on here ten years ago. Since then Sean has been busy building his Pork Army and Empire. His incredible Pork zine can be found in all self respecting record shops around the US. If you don't have access to any stores that carry the zine, you can order a subscription here.
Lately, Sean has been working on stacks of amazing art inspired by old school fantasy role playing adventures for his own table top game, Dungeon Degenerates. As part of his promotion for the game, Sean is running a month long contest for anyone to contribute art inspired by various beasts and strange characters taken from his upcoming game. The following is Sean's description of Dungeon Degenerates..
THE WÜRSTREICH - AN EMPIRE IN DECLINE, WHERE SURVIVAL IS AN ADVENTURE UNTO ITSELF. ONCE THE PINNACLE OF HUMAN CIVILIZATION, IT NOW TEETERS ON THE BRINK OF TOTAL DOOM, HAVING COLLAPSED INTO CORRUPTION, DECADENCE, DECAY & MADNESS. EVIL WIZARDS PERVERT THE VERY FABRIC OF NATURE, BRINGING GIBBERING MADNESS FROM BEYOND SCREAMING INTO ABSOLUTION & AN ENDLESS MENAGERIE OF MONSTERS FIGHT FOR DOMINATION! IN CHAOS - THERE IS OPPORTUNITY! THE FECUND STENCH OF THE ROTTEN REALM OF THE WÜRSTREICH BECKONS! HAVING ESCAPED THE MOLDY DUNGEONS OF BRÜTTELBERG, YOUR DEGENERATE ADVENTURERS MUST USE WITS & WEAPONS TO FIND THEIR FORTUNE IN THE MONSTER & MADNESS INFESTED BADLANDS - FATE DECIDED BY THE LUCK OF THE DRAW & THE ROLL OF THE DICE! IN A LAND WHERE ROT RULES, ONLY THE DEGENERATES SURVIVE!
DUNGEON DEGENERATES IS A FANTASY ADVENTURE BOARD GAME FROM GOBLINKO. BLENDING A DARK & DIRTY OLD SCHOOL ROLE PLAYING GAME AESTHETIC WITH AN EASY TO LEARN, FAST MOVING & ENGAGING BOARD GAME SYSTEM, DUNGEON DEGENERATES DELIVERS THE DARK FANTASY ADVENTURE YOU WANT, WHEN YOU WANT IT.
DUNGEON DEGENERATES IS BY SEAN AABERG & ERIC RADEY. WE GREW UP ON OLDSCHOOL ROLE PLAYING GAMES & LOVE OLD GAMES WORKSHOP IN PARTICULAR - AS AN ART FORM. WE'VE WORKED FOR CHAOSIUM AS WAREHOUSE SLAVES. WE WERE IN THE MOST CHAOTIC NOISE PUNK BAND IN OAKLAND. THE OLD WAYS ARE BEST & WE ARE GOING TO DRAIN ENOUGH BLOOD TO BRING THEM BACK WITH DUNGEON DEGENERATES!
THE DUNGEON DEGENERATES MONSTER DRAWING CLUB STARTS TOMORROW!!! INSPIRED BY #THINGSYOUMIGHTFINDINADUNGEON” - WE’RE DOING A MONSTER A DAY FOR THE MONTH OF SEPTEMBER AS WE BUILD IN CRAZED ANTICIPATION OF THE DUNGEON DEGENERATES KICKSTARTER LAUNCH! REGRAM! DRAW! HASHTAG! JOIN THE MONSTER DRAWING CLUB! A MONSTER A DAY KEEPS THE NIGHTMARES AT BAY!
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Tuesday, August 30, 2016
Saturday, August 27, 2016
John Yunge-Bateman
Illustration from 1930 edition of King Lear - Act IV, Scene 1.Crazy Edgar, now calling himself Poor Tom: “Five fiends have been in poor Tom at once: of lust, as Obidicut; Hobbididence, prince of dumbness; Mahu, of stealing; Modo, of murder; Flibbertigibbet, of mopping and mowing, who since possesses chambermaids and waiting-women.”
Tuesday, August 23, 2016
Sunday, July 24, 2016
Saturday, July 23, 2016
Friday, July 22, 2016
Erik Theodor Werenskiold (1855-1938)
Per Gynt and Roadblocks, 1893
"Then they both laughed heartily, as if they already had the lad on the stake." Illustration for "Companion" in P. Chr. Asbjørnsen , Eventyrbog for Børn . Norwegian Folkeeventyr , Copenhagen, 1887
Troll in the Woods, 1895
The Troll Lured the Girls with Gold
" 'Ugh! Ugh! I smell the smell of Christian blood, ' said the troll." Illustration for "Soria Moria Slot" in P. Chr. Asbjørnsen , Eventyrbog for you Children II . Norwegian Folkeeventyr , Copenhagen, 1884
Troll Witch and Three Princesses, 1900Thursday, July 21, 2016
Pierre Roche (1855-1922)
The Nightmare, 1895
Skinned Cat, 1895
Mélusine, 1900
Siren, 1896
The Medusa, 1912
Centaur
The Palace of Dreams, 1909
Apocalypse, 1901 - 22
La Délivrance, allegorical altarpiece, 1905-1911"This altarpiece, made of lead and bronze reliefs embedded in a large wooden structure and framing a plaster bust, shows the taste of Pierre Roche, artist solid scientific background for experimentation and invention of original processes and reflected his interest in the bas-relief and the links between architecture and sculpture. By 1904, the artist dedicated to victims of the Russo-Japanese war four visions that model the following year under the title of Pride, Envy, Wrath and Greed. They enlisted the three reliefs of La Gourmandise, of Lust and Sloth, and a bust of a woman with braided hair, the hands cut off at the wrist are pasted on the ears, and this has all seven deadly sins in 1905 under the title of Deliverance. In 1910, he will confront his allegorical during the Seven Works of Mercy. idealistic profession of faith and anti-determinist, this Symbolist Vision advocates prayer and introspection to escape the contingencies of everyday life and the bad influences of the outside world." - quote source
"Pierre Roche (Paris, 2 August 1855 - Paris, 18 January 1922), pseudonym of Fernand Massignon, was a French sculptor, painter, ceramist and medallist. He was the father to Louis Massignon.
Roche first studied medicine and chemistry in Paris, but then switched to studying painting at the Académie Julian 1873-1878 under Alfred Roll, and exhibited at the Paris Salon 1884-1889.
In 1888 Roche tried sculpture to compete for a monument to Georges Danton, leading to encouragement by sculptor and teacher Jules Dalou. He went on to produce a number of commissioned works, like the fountain April (1906) in the Musée Galliera gardens, and L'Effort (c.1898) in the Jardin du Luxembourg." - quote source
Images found at Gallica and Roubaix La Piscine.
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