John Yunge-Bateman

Illustration from 1930 edition of King Lear - Act IV, Scene 1.
Crazy Edgar, now calling himself Poor Tom: “Five fiends have been in poor Tom at once: of lust, as Obidicut; Hobbididence, prince of dumbness; Mahu, of stealing; Modo, of murder; Flibbertigibbet, of mopping and mowing, who since possesses chambermaids and waiting-women.”

Norman Lindsay

The Dream, 1923

Enter the magicians, 1927

Tom O'Bedlam, 1918

Walpurgis, 1924

To the Festival, 1934

Moonlight's Piper, 1925

Visitors to Hell

Adventure, 1921

Self-portrait, 1930

Joseph Bennett - Odin's Afterbirth

ODIN'S AFTERBIRTH from Joseph Bennett on Vimeo.

Antonio Rodríguez Luna (1910 -1985)

The Carlist Militiaman, 1937

The Dictator, 1937

The Falangist, 1937

The Inquisition [of the Church, 1937

Land-Owner, 1938

Herbert von Reyl-Hanisch - Bad Dream (Böser Traum) 1931

Another painting by the artist was previously shared on Monster Brains.
 
Artwork found at Imkinsky.

Erik Theodor Werenskiold (1855-1938)

Per Gynt and Roadblocks, 1893

"Then they both laughed heartily, as if they already had the lad on the stake." Illustration for "Companion" in P. Chr. Asbjørnsen , Eventyrbog for Børn . Norwegian Folkeeventyr , Copenhagen, 1887

Troll in the Woods, 1895

The Troll Lured the Girls with Gold

" 'Ugh! Ugh! I smell the smell of Christian blood, ' said the troll." Illustration for "Soria Moria Slot" in P. Chr. Asbjørnsen , Eventyrbog for you Children II . Norwegian Folkeeventyr , Copenhagen, 1884

Troll Witch and Three Princesses, 1900

Pierre Roche (1855-1922)

The Nightmare, 1895

Skinned Cat, 1895

Mélusine, 1900

Siren, 1896

The Medusa, 1912

Centaur

The Palace of Dreams, 1909

Apocalypse, 1901 - 22

La Délivrance, allegorical altarpiece, 1905-1911

"This altarpiece, made of lead and bronze reliefs embedded in a large wooden structure and framing a plaster bust, shows the taste of Pierre Roche, artist solid scientific background for experimentation and invention of original processes and reflected his interest in the bas-relief and the links between architecture and sculpture. By 1904, the artist dedicated to victims of the Russo-Japanese war four visions that model the following year under the title of Pride, Envy, Wrath and Greed. They enlisted the three reliefs of La Gourmandise, of Lust and Sloth, and a bust of a woman with braided hair, the hands cut off at the wrist are pasted on the ears, and this has all seven deadly sins in 1905 under the title of Deliverance. In 1910, he will confront his allegorical during the Seven Works of Mercy. idealistic profession of faith and anti-determinist, this Symbolist Vision advocates prayer and introspection to escape the contingencies of everyday life and the bad influences of the outside world." - quote source


"Pierre Roche (Paris, 2 August 1855 - Paris, 18 January 1922), pseudonym of Fernand Massignon, was a French sculptor, painter, ceramist and medallist. He was the father to Louis Massignon.

Roche first studied medicine and chemistry in Paris, but then switched to studying painting at the Académie Julian 1873-1878 under Alfred Roll, and exhibited at the Paris Salon 1884-1889.

In 1888 Roche tried sculpture to compete for a monument to Georges Danton, leading to encouragement by sculptor and teacher Jules Dalou. He went on to produce a number of commissioned works, like the fountain April (1906) in the Musée Galliera gardens, and L'Effort (c.1898) in the Jardin du Luxembourg." - quote source



Images found at Gallica and Roubaix La Piscine.

Eduard Wiiralt (1898-1954)

Hell, 1932

Cabaret, 1931


Põrgu (Hell) 1983 from Aeron Alfrey on Vimeo.


 The above animation was created by Rein Raamat, also responsible for the previously shared animated short "Suur Tõll" made a few years prior to Põrgu.

"Põrgu (Hell) is an Estonian animation film by Rein Raamat, Tallinnfilm, 1983. So grotesque and sexual, this animation brings to life three infernally beautiful engravings –  ”The Preacher“, “Cabaret” and “Hell” – created by the Estonian artist Eduard Viiralt in the early 1930s.

Both the engravings and the animation film were created in the time of great uncertainties: in the 1930s Viiralt was reacting to the anticipation of the War; in the 1980s Raamat was having a presentiment of the chaos the USSR’s collapse would bring about. Both Raamat´s and Viiralt´s artworks depict a feast in the time of plague, indulging in surrealistically satirical representations of people’s vices." - quote source

Artworks found at Blouin Art Info and Ader Nordmann

(Suur Tõll) Toll the Great, Illustrated by Jüri Arrak, 1982

Albín Brunovský (1935 - 1997)

Labyrinth of the World and Paradise of the heart V - War, 1990

Beautiful Italy XII. 1970

Illustration for Tri Princezne V Belasej Skale, 1972

Two Eve and the Expulsion from Paradise, 1971
Labyrinth of the World and Eden of the Heart III . - Masks, 1989

The Triumph of Death, 1975

2nd Illus. for Tri Princezne V Belasej Skale, 1972
 Barge Láskomorňa, 1985

Illus. for Tri Princezne V Belasej Skale, 1972

Beast

ANDREAS ALARIESTO - AWAY, BAD SPIRIT, 1976

"Andreas Alariesto, (December 11.1900 Riesto - November 29.1989 Sodankylä) was a Finnish painter from Sompio, Lapland who worked in the naivistic style. He also made miniatures and sculptures about miniatures and also was a photographer.He didn't receive any formal artistic training. Alariesto became famous in the 1970's with a increase in the popularity of naivism. His first formal show was in Helsinki and Rovaniemi in 1976 when the artist was 75 years old." - quote source

Ger Langeweg (Dutch, 1891-1970)

Paard, 1948

Artworks found at Dr Tenge. and The 50 Watts tumblr.