Friday, April 08, 2016

Arent van Bolten - Engravings, 1604-1616

Arent van Bolten - Engraving of grotesque ornamental creatures, 1604-16 Arent van Bolten - Grotesque Creatures 20, 1604-1616 Arent van Bolten - Grotesque Creatures 1, 1604-1616 Arent van Bolten - Grotesque Creatures 2, 1604-1616 Arent van Bolten - Grotesque Creatures 10, 1604-1616 Arent van Bolten - Grotesque Creatures 3, 1604-1616 Arent van Bolten - Grotesque Creatures 5, 1604-1616 Arent van Bolten - Grotesque Creatures 14, 1604-1616 Arent van Bolten - Grotesque Creatures 12, 1604-1616 Arent van Bolten - Grotesque Creatures 8, 1604-1616 Arent van Bolten - Grotesque Creatures 11, 1604-1616 Arent van Bolten - Grotesque Creatures 18, 1604-1616
Arent van Bolten - Grotesque Creatures 15, 1604-1616 Arent van Bolten - Grotesque Creatures 19, 1604-1616 Arent van Bolten - Grotesque Creatures 8, 1604-1616 Arent van Bolten - Grotesque Creatures 16, 1604-1616 Arent van Bolten - Grotesque Creatures 13, 1604-1616 Arent van Bolten - Grotesque Creatures 17, 1604-1616 Arent van Bolten - Grotesque Creatures 7, 1604-1616 Arent van Bolten - Grotesque Creatures 6, 1604-1616 Arent van Bolten - Grotesque Creatures 4, 1604-1616
"The known facts of van Bolten’s life and work are few. He was born at Zwolle ca. 1573. He is known to have been in Italy in 1596 and 1602. By 1603 he was back in his home-town, where he married one Birgitta Lantinck. The couple had eight children. He was a silversmith by profession. At some point he moved with his family from Zwolle to Leeuwarden, where he died, ca. 1633.

Van Bolten’s reputation, however, rests mainly on his drawings, and in particular on the album in the British Museum that bears the title “BOLTEN VAN SWOL/TEEKENINGE” The drawings range from ornament, objects in precious metals, grotesque figures and monsters, to figural scenes from the Bible and mythology, the Shrovetide carnival, the commedia dell’arte and peasant life.

This album was compiled by an unknown collector ca. 1637, who had the drawings numbered, and grouped into thematic sections. ‘Some of van Bolten’s drawings of monsters and fanciful animals bear a resemblance to those in the prints of Christoph Jamnitzer […] and Wendel Dietterlin the Younger.’ Several of the designs in the album had been ‘turned into meticulously-faithful prints’ and published in Paris (between 1604 and 1616) by a Flemish-born printseller named Pierre Firens. The four images above are examples of these engravings. The last of them combines two of van Bolten’s drawings (nos. 151 and 152 in the album, shown below), into a single composition, embellished with farting monkeys.

 ‘A number of fantastic bronze animals have been attributed to van Bolten on the basis of stylistic similarities to his designs known from the drawings and the prints.’ Four different models have been documented. At least ten examples of the birdlike creature (the first image below) are known. Some of them seem to have been designed as novelty lamps, where the wick (and the flame) would come out of the creature’s mouth. Another figurine, of which just a single example is recorded, depicts a monster with a reptile’s head, a bird’s body and legs, with snail-shells in place of wings. The second image below shows a statuette with the head of a buffalo, the body of a frog, with stylised wings in place of forelegs, and the hind legs of a hoofed animal. It is not known whether these bronzes were van Bolten’s own work, or whether they were modelled from his drawings, or the engraved copies thereof."

 - quote taken from the long defunct but amazing Giornale Nuovo.

You'll notice the post on Bolten there was provoked by a previous post here on Bolten's works. Almost ten years later and I'm returning to deliver the best examples of Arent van Bolten that I've been able to dig up over the years.

See examples of Bolten's grotesque ornamental oil lamps here.
 Examples of Bolten's ink drawings can be found here.

Arent van Bolten - Ink Drawings, 1588 - 1633

Arent van Bolten - Man Astride a Fantastic Animal, 1580-1610
Arent van Bolten - Monster 166, from collection of 425 drawings, 1588-1633
Arent van Bolten - Monster 201, from collection of 425 drawings, 1588-1633 Arent van Bolten - Monster 186, from collection of 425 drawings, 1588-1633
Arent van Bolten - Monster 164, from collection of 425 drawings, 1588-1633 Arent van Bolten - Monster 184, from collection of 425 drawings, 1588-1633 Arent van Bolten - Monster 200, from collection of 425 drawings, 1588-1633 Arent van Bolten - Monster 190, from collection of 425 drawings, 1588-1633 Arent van Bolten - Monster 204, from collection of 425 drawings, 1588-1633 Arent van Bolten - Monster 207, from collection of 425 drawings, 1588-1633

Friday, April 01, 2016

Arent van Bolten - Bronze Grotesque Oil Lamp Sculptures, 16th - 18th C

Arent van Bolten - Oil lamp in shape of a Grotesque Animal, 18th c

Arent van Bolten - Oil lamp in shape of a Grotesque Animal, 18th c (view 4)

Arent van Bolten - Oil lamp in shape of a Grotesque Animal, 18th c (view 2)

Arent van Bolten - Oil lamp in shape of a Grotesque Animal, 18th c  (view 3)

Arent van Bolten - Oil lamp in shape of a Grotesque Animal, 18th c (view 1)

Arent van Bolten - Bronze oil lamp in shape of a Grotesque Animal, 1600-50

Arent van Bolten - Bronze oil lamp in shape of a Grotesque Animal, 1610 -130

Arent van Bolten - Bronze oil lamp in shape of a Grotesque Animal, 1610-30

Arent van Bolten - Bronze Monster, 1610-30 (view 2).jpg

Arent van Bolten - Bronze Monster, 1610-30 (view 1)

Arent van Bolten - Grotesque Animal, view 1

Arent van Bolten - Grotesque Animal, view 2

Arent van Bolten - Bronze oil lamp in shape of grotesque creature, 1610-30

Arent van Bolten - Bronze oil lamp in shape of grotesque creature, 17th c

Arent van Bolten - Flemish Bronze Oil Lamp of Grotesque Head, 1573 - 1625,

"The known facts of van Bolten’s life and work are few. He was born at Zwolle ca. 1573. He is known to have been in Italy in 1596 and 1602. By 1603 he was back in his home-town, where he married one Birgitta Lantinck. The couple had eight children. He was a silversmith by profession. At some point he moved with his family from Zwolle to Leeuwarden, where he died, ca. 1633.

Van Bolten’s reputation, however, rests mainly on his drawings, and in particular on the album in the British Museum that bears the title “BOLTEN VAN SWOL/TEEKENINGE” The drawings range from ornament, objects in precious metals, grotesque figures and monsters, to figural scenes from the Bible and mythology, the Shrovetide carnival, the commedia dell’arte and peasant life.

This album was compiled by an unknown collector ca. 1637, who had the drawings numbered, and grouped into thematic sections. ‘Some of van Bolten’s drawings of monsters and fanciful animals bear a resemblance to those in the prints of Christoph Jamnitzer […] and Wendel Dietterlin the Younger.’ Several of the designs in the album had been ‘turned into meticulously-faithful prints’ and published in Paris (between 1604 and 1616) by a Flemish-born printseller named Pierre Firens. The four images above are examples of these engravings. The last of them combines two of van Bolten’s drawings (nos. 151 and 152 in the album, shown below), into a single composition, embellished with farting monkeys.

‘A number of fantastic bronze animals have been attributed to van Bolten on the basis of stylistic similarities to his designs known from the drawings and the prints.’ Four different models have been documented. At least ten examples of the birdlike creature (the first image below) are known. Some of them seem to have been designed as novelty lamps, where the wick (and the flame) would come out of the creature’s mouth. Another figurine, of which just a single example is recorded, depicts a monster with a reptile’s head, a bird’s body and legs, with snail-shells in place of wings. The second image below shows a statuette with the head of a buffalo, the body of a frog, with stylised wings in place of forelegs, and the hind legs of a hoofed animal. It is not known whether these bronzes were van Bolten’s own work, or whether they were modelled from his drawings, or the engraved copies thereof."

- quote taken from the long defunct but amazing Giornale Nuovo.

You'll notice the post on Bolten there was provoked by a previous post here on Bolten's works. Almost ten years later and I'm returning to deliver the best examples of Arent van Bolten that I've been able to dig up over the years.  The following post will delve into a vast array of Bolten's drawings and prints.


Sources include RijksmuseumVictoria and Albert Museum and Lempertz Auction House.

Monday, March 28, 2016

Bror Anders Wikstrom's Float Designs, 1898 - 1904

Bror Anders Wikstrom - Dragon, float design from Krewe of Proteus, 1904Dragon, float design from Krewe of Proteus, 1904

Bror Anders Wikstrom - The Beneficent Frog, float design from Krewe of Proteus, 1900The Beneficent Frog, float design from Krewe of Proteus, 1900

Bror Anders Wikstrom - The Devil's Basket, float design from Krewe of Proteus, 1898The Devil's Basket, float design from Krewe of Proteus, 1898

Bror Anders Wikstrom - Amenti, float design from Krewe of Proteus, 1903Amenti, float design from Krewe of Proteus, 1903

Bror Anders Wikstrom - The Yellow Dwarf, float design from Krewe of Proteus, 1900The Yellow Dwarf, float design from Krewe of Proteus, 1900

Bror Anders Wikstrom - The White Cat, float design from Krewe of Proteus, 1900The White Cat, float design from Krewe of Proteus, 1900

Bror Anders Wikstrom - Vulcan, float design from Krewe of Proteus, 1904Vulcan, float design from Krewe of Proteus, 1904

Bror Anders Wikstrom - Lucifer, float design from Krewe of Proteus, 1904Lucifer, float design from Krewe of Proteus, 1904

Bror Anders Wikstrom - The Dragon's Treasure, float design from Krewe of Proteus, 1898The Dragon's Treasure, float design from Krewe of Proteus, 1898

Bror Anders Wikstrom - The Rubaiyat, float design from Krew of Proteus, 1905The Rubaiyat, float design from Krew of Proteus, 1905

Bror Anders Wikstrom - The Sea Unicorn, float design from Krewe of Proteus, 1898The Sea Unicorn, float design from Krewe of Proteus, 1898

Bror Anders Wikstrom - Graciosa and Percinet, float design from Krewe of Proteus, 1900Graciosa and Percinet, float design from Krewe of Proteus, 1900

Bror Anders Wikstrom - Banner Car, float design from Krewe of Proteus, 1898Banner Car, float design from Krewe of Proteus, 1898

 Bror Anders Wikstrom (1854–1909) designed the carnival parades of the Krewe of Proteus from 1900 to 1910. A native of Sweden, Wikstrom ran away to sea at a young age and spent a dozen years as a sailor. When he returned from his travels, he studied at the Royal Academy of Art in Stockholm and later in Paris before setting out to make his fortune in America.In 1883 Wikstrom came to New Orleans. His entrée to the world of carnival came when he began to work as assistant to Rex's float and costume designer Charles Briton. When Briton died, Wikstrom succeeded him and continued to design for Rex, and later for Proteus, until his death in 1909.  - quote source


Artworks found at The Louisiana Digital Library.