Thursday, November 06, 2014

Selections From The Clavis Artis Manuscript, 17th/18th C.

Clavis Artis Manuscript - 
2-27.Hortis.V2.020

Clavis Artis is the title of a manuscript of alchemy published in Germany in the late seventeenth or early eighteenth century and is attributed to the Persian Zoroaster. The work is in three volumes of medium size, the text is in Gothic script cursive German and is accompanied by numerous illustrations in watercolor depicting alchemical images. There are also some pen drawings depicting laboratory instruments.  - quote taken from the Italian Wikipedia page for the manuscript.

Clavis Artis Manuscript - 2-27.Hortis.V3.070

Clavis Artis Manuscript - 
2-27.Hortis.V3.134

Clavis Artis Manuscript - 2-27.Hortis.V3.057

Clavis Artis Manuscript - 2-27.Hortis.V3.034

Clavis Artis Manuscript - 2-27.Hortis.V3.053

Clavis Artis Manuscript - 2-27.Hortis.V3.039

Clavis Artis Manuscript - 2-27.Hortis.V2.063

Clavis Artis Manuscript - 2-27.Hortis.V2.039

Wednesday, November 05, 2014

FRIEDRICH SCHRODER-SONNENSTERN

FRIEDRICH SCHRÖDER-SONNENSTERN - 03

FRIEDRICH SCHRÖDER-SONNENSTERN - 02

FRIEDRICH SCHRÖDER-SONNENSTERN - Bat Demon of All Spiritualistic Transformation, 1953

FRIEDRICH SCHRÖDER-SONNENSTERN - The Peace Hawk, 1960

FRIEDRICH SCHRÖDER-SONNENSTERN - The Moon Spirit Frog

FRIEDRICH SCHRÖDER-SONNENSTERN - The Moon Spirit Frog, 1958

FRIEDRICH SCHRÖDER-SONNENSTERN - Moon Prisoners, 1955

 FRIEDRICH SCHRÖDER-SONNENSTERN - Schwanenpuppentanz, 1971

"Born in Prussia in 1892, Friedrich Schröder-Sonnenstern lived a peripatetic life marked in large part by ineptitude, indecency and insanity. He was a dairy farmer, a circus performer, a cigar seller, a horse thief, a blackmailer, a cult leader, a penal camp prisoner and a habitual asylum internee. Yet it was only after World War II, when Schröder-Sonnenstern was in his 50s and living amidst the hardships and deprivations of a splintered Germany, that he finally sank to his lowest level and became an artist.

In the drawings that suddenly poured out of him, exhibited recently at Michael Werner in a show titled ‘From Barefoot Prophet to Avant-Garde Artist’, Schröder-Sonnenstern finally seemed to chime with the chaos of his times. Depicting scenes of torture, grotesquery, scatology and deformity, all drawn in sickly crayon and coloured pencil, Schröder-Sonnenstern’s pictures speak of a world gone to hell." - quote taken from article on the artist at Frieze Magazine.