
To learn more about the artist click here.
Click the following numbers and the links below to see more art by Soonenstern. 1 - 2 - 3
4 Drawings
3 Drawings
1 Drawing
1 Drawing

"In 1953 she met surrealist painter Hans Bellmer in Berlin. She would become his partner and model. Together with Hans Bellmer, Unica Zürn frequented surrealist circles and befriended people such as Man Ray, André Pieyre de Mandiargues, Henri Michaux and Max Ernst. From 1957 onwards she suffered from depression and was treated at various clinics in France. One of her doctors was Gaston Ferdière, a friend of the surrealists, who was also psychiatrist to Antonin Artaud. Her illness inspired much of her writing, above all Der Mann im Jasmin, written between 1963 and 1965.
She killed herself in 1970 by jumping out of the window of the apartment she shared with Bellmer." quote taken from here.
I've only been able to find two works by Duf, but based on the story below there seems to be many other fantastic creatures made by Duf. If anyone knows where I can find additional artwork by Gaston Duf, I would really appreciate it!Chief amongst these is the monstrous and polymorphous 'Rhinoceros', dozens of variations of which exist, along with appropriately deformed versions of their name. Trunk, limbs and every other feature seem to live an independent life of their own: they metamorphose into leafy, ocular, or fishy shapes, with ragged, hirsute edges. Duf's baroque zoology is grotesque and savage, with an emphatic and brutal sexuality; yet at times its wild invention has an almost satirical feel to it. In page after page, both in monochrome and colour, Duf rehearsed endless variations on his mythical beast, which bore no resemblance to any actual animal, but instead embodied a distilled beastliness, in every sense of the word.
Other figures appear in Duf's menagerie: clownish or scarecrow characters with equally outlandish captions in a suitably jagged script. Then, five years after he had started, Duf gave up drawing and painting and withdrew into an increasingly autistic isolation. We are left guessing. Was his extravagant creative production an apotropaic ritual that ultimately failed in its aim, or did the procession of his creature, so ferocious, but with a tinge of pathos to it, prove somehow overwhelming for him? One thing is certain: Duf's extraordinary panoply of invention came out of nowhere and, just as suddenly, returned to it."
Click here to see another work by Duf.